artists studios
We offer a studio program designed for artists with a developed studio practice and career located in the Motor Exhibits Building, encompassed by Grounds For Sculpture.
Membership
Membership is available to artists through an application and selection process. Members receive a private studio for a period of up to two years. Membership renewal is possible after two years through a reapplication process. As part of your membership you will be required to participate in a minimum of two engagement programs, one with Grounds For Sculpture and one with the Johnson Atelier each year.
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Location
All studios are located in the Motor Exhibits Building in Grounds For Sculpture, a museum, sculpture garden, and arboretum where art and nature are always at play sited across 42 landscaped acres. Engaging and educational programs for all ages are offered year-round, and may include lectures, hands-on workshops, tours, concerts, and performances. The studios are owned and managed by the Johnson Atelier.
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Studio Artists
Born in Ghana, West Africa, I hold a BA (HONS) in sculpture and MA (Part 1) in African Studies, have worked at National Art establishments in Ghana and exhibited extensively. I use a variety of materials and employ traditional Ghanaian philosophies to communicate, exposing inherent conceptual realities of life.
We are all different, and yet the same.
I have been doing art my whole life as far as I can remember. With an art degree from Belgium (Beeldend Kunst Onderwijs) and various apprenticeships to further strengthen my skills, I make figurative and abstract sculptures in different media: clay, wood/resin mixture, bronze, and through 3D printing. I also oil paint, my work consisting mostly of nature inspired abstract paintings.
I recreate life experiences into a fresh visual vocabulary of beautiful, sensual and playful abstracted imagery. It all begins with spontaneous thumbnail sketches that I translate into paintings, drawings, sculptures and monumental site-specific installations.
Having closely collaborated with many artists all over the world, worked at JA for almost 40 years and taught at PAFA, I am very knowledgeable of old European bronze techniques and styles, and now devote my full time to my own projects. I am an avid lover of classical music and mathematics, a proud father and grandfather.
I'm a sculptor, painter, draftsman, and author. I work with bronze, sawdust/resin, wood, and oils. My primary inspirations are figures in motion. My current series of work is with dancing figures correlated with hyperbolic mathematical shapes – Perpetual Motion = 4-D.
Originally from Jamaica and former apprentice and Supervisor at JA, I have had the opportunity to work with and exchange ideas with many celebrated artists. I am experimental with my materials, always evolving my ideas and techniques.
Malleable, fragile, yet strong and resilient can define both humans and pantyhose. By using the texture and colors provided by pantyhose, I abstractly visualize my introspection, dissection, and investigation of a momentary emotion and/or occurrence echoing droplets of water under a microscope. Imprinting this material with my hand not only better introduces my emotions, it also encapsulated the droplet parallel I try to achieve.
A sculptor and Master Gardener, I combine my passion for botany and sculpture using various media to create organic compositions that reflect the environment. My work is created sometimes for pure enjoyment and other times to convey an invitation to explore a more in-depth conversation.
I explore my interpretation of the human condition through my figures using sculptural materials of clay, wax and plaster, as well as the computer using 3d printing and cnc milling.
A two-year apprenticeship at the Johnson Atelier morphed in a 22-year experience during which I made as much sculpture as I could, learned much, and met many other artists. When it ended, I gradually renewed a prior interest in painting, which I continue to enjoy today.
Highly skilled, well-disciplined metal artisan turning life experience into metal-formed reality.
Through sculpture, painting, and print media, and using an intuitive response to image making and material, I create interpretations of landscape that focus on shallow water systems in both natural and man-made environments.
Having worked as a technical teaching instructor in metal chasing, I have been with the Johnson Atelier since 1997. Now as a full-time resident artist, I have continued developing my art as an Afrofuturist.
Professional Painter, Printmaker and Co-Department Head for Finishing at the Johnson Atelier, my work has been shown in venues throughout the Northeast, included in the permanent collections of Capitol Health Trenton, Mercer County Cultural and Heritage Commission, and Trenton Free Public Library
As Co-Department Head for Finishing at the Johnson Atelier, I like to challenge myself when creating my own art. For me it’s about the craft. If the work comes too easy, I won’t feel fulfilled.
Born and raised in Ghana, West-Africa, my work in three dimensions utilizes many combinations of mediums, methods, and techniques from carved objects, stone, concrete, plaster of Paris, wood and other metals bronze and aluminum.
Thompson, a full-time artist, has long pursued his interest in combining disparate elements. Through their violent reaction to each other and their integration, transforming feelings and thoughts into tangible objects.
I am a self-taught artist using various mediums such as wood and stone, currently creating sculptural images themed on political issues. My work benefits from the technical expertise necessary to function as an art foundry technician.
I work predominantly in metal, experimenting with found object sculpture. I have a deep fascination with junk and the detritus of life, and use this as a way to address the environmental issue of recycling, transforming waste into sculptural treasures.